Sehmat had seen her mother pray to Lord Krishna and sing hymns of
the legendary Meerabai since she was a little girl. Performing Radha’s
role at school and college was easy. But to be in Meerabai’s shoes, and
also give a befitting reply to her critics, was a challenge that she was
keen to take on. In order to enter into the skin of the character, Sehmat
had spent many hours in the college library, reading all the available
literature on Meerabai, and rehearsed her part like one possessed.
D-Day approached and with butterflies in her stomach, Sehmat walked
on to the stage dressed in the jogan’s, devotee’s, attire: in a pale orange
cotton sari, holding a small dotara, a two-stringed instrument, in her
hand. Mitali entered from the other side of the stage, aptly dressed as
Radha. In comparison to Sehmat’s simple-looking attire, Mitali was
decked out in a bright costume, jewellery and make-up. With folded
hands, forming the traditional namaskar, the two dancers faced the
overpacked hall. Amidst catcalls and whistles, the audience erupted in
loud applause and continued to clap till the two women took their
designated places centre stage.
The background music began slowly and swelled into a high pitch as
the two dancers picked up rhythm. The strains of the bhajan, devotional
hymn, flowed into the hall. Both competitors picked up pace,
synchronizing their movements with the poignant lyrics of the song. It
was plain for all to see that both the girls were leaving no stone unturned
to cast a lasting impression on the audience and the judges.
With her near-professional touch, Mitali let it be known that she was
performing to win the competition. The crowd was mesmerized by the
delicate movements of her hands cutting the thin air, appealing to LordKrishna to bless her with his divine grace. Holding a flute, Mitali moved
artistically on her toes, encircling Krishna, pushing, nudging and cajoling
him to succumb to her demands. She danced with perfection and
elegance, swaying the entire audience with her captivating performance.
Her colourful costume added to her performance and kept the audience
on the edge of their seats.
The challenge was tougher for Sehmat than she’d thought it would be.
Even though she was the more graceful of the two, Mitali was flawless in
her performance and successfully drew more applause from both the
judges and the crowd. But Sehmat didn’t give up. Being a natural dancer,
her movements displayed an amazing dexterity. She merged with the
character effortlessly as the song progressed. As if transformed by
heavenly powers, she became the legendary Meerabai who’d devoted all
of herself to appease Lord Krishna. She displayed no animosity or
jealousy towards Radha whose Krishna enjoyed playing hide-and-seek
with her. Unlike Radha who demanded love in return, Sehmat, now
transformed as Meerabai, only desired a glimpse of the lord.
Mitali kept pace with her competitor, fully aware that she had the
upper hand. She was pitched against Sehmat, a Muslim girl who was
playing the part of a larger-than-life character. She had to win, no matter
what. Being a Hindu girl from a traditional Brahmin family, she simply
couldn’t afford to come second to Sehmat Khan.
As the show progressed, Mitali felt something sticky beneath her feet.
She looked closely, while maintaining her rhythm, and realized that her
toes were covered with blood. Her concentration faltered for a bit. She
thought it was blood from her own feet and abruptly stopped her dance
to look down. To her relief, her feet bore no trace of injury. Her eyes then
followed the blood trail to Sehmat’s feet. And what she saw left her
dumbstruck. Sehmat’s right foot was soaked in blood, which was
painting the wooden floor red. Her eyes were shut, oblivious to the
commotion she was causing on the stage. The attendants too started
lining up on either side of the stage, watching Sehmat in disbelief. They
could not muster enough courage to stop her from continuing the
Performance of her lifetime. Filled with awe and admiration, they stood together, not knowing what to do.
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