Tate—1

Cured with a pencil, since I couldn’t find a hair tie while I was driving. My eyes are usually as brown as my hazelnut hair, but right now, they look ten shades darker, thanks to the bags under them.

I reach into my purse to find a tube of ChapStick, hoping to salvage my lips before they end up as weary-looking as the rest of me. As soon as the elevator doors begin to close, they open again. A guy is rushing toward the elevators, preparing to walk on as he acknowledges the old man. “Thanks, Cap,” he says.

I can’t see Cap from inside the elevator, but I hear him grunt something in return. He doesn’t sound nearly as eager to make small talk with this guy as he was with me. This man looks to be in his late twenties at most. He grins at me, and I know exactly what’s going through his mind, considering he just slid his left hand into his pocket.

The hand with the wedding ring on it.

“Floor ten,” he says without looking away from me. His eyes fall to what little cleavage is peeking out of my shirt, and then he looks at the suitcase by my side. I press the button for floor ten. I should have worn a sweater.

“Moving in?” he asks, blatantly staring at my shirt again.

I nod, although I doubt he notices, considering his gaze isn’t planted anywhere near my face.

“What floor?”

Oh, no, you don’t. I reach beside me and cover all the buttons on the panel with my hands to hide the illuminated eighteenth-floor button, and then I press every single button between floors ten and eighteen. He glances at the panel, confused.

“None of your business,” I say.

He laughs.

He thinks I’m kidding.

He arches his dark, thick eyebrow. It’s a nice eyebrow. It’s attached to a nice face, which is attached to a nice head, which is attached to a nice body.

A married body.

Asshole.

He grins seductively after seeing me check him out—only I wasn’t checking him out the way he thinks I was. In my mind, I was wondering how many times that body has been pressed against a girl who wasn’t his wife.

I feel sorry for his wife.

He’s looking at my cleavage again when we reach floor ten. “I can help you with that,” he says, nodding toward my suitcase. His voice is nice. I wonder how many girls have fallen for that married voice. He walks toward me and reaches to the panel, bravely pressing the button that closes the doors.

I hold his stare and press the button to open the doors. “I’ve got it.”

He nods as if he understands, but there’s still a wicked gleam in his eyes that reaffirms my immediate dislike of him. He steps out of the elevator and turns to face me before walking away.

“Catch you later, Tate,” he says, just as the doors close.

Ready know who I am.

I remain alone on the elevator as it stops on every single floor until it reaches the eighteenth. I step off, pull my phone out of my pocket, and open up my messages to Corbin. I can’t remember which apartment number he said was his. It’s either 1816 or 1814.

Maybe it’s 1826?

I come to a stop at 1814, because there’s a guy passed out on the floor of the hallway, leaning against the door to 1816.

Please don’t let it be 1816.

I find the message on my phone and cringe. It’s 1816.

Of course it is.

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