Rise and Fall of Cesar Birotteau

Episode 1

During winter nights noise never ceases in the Rue Saint-Honore except for a short interval. Kitchen-gardeners carrying their produce to market continue the stir of carriages returning from theatres and balls. Near the middle of this sustained pause in the grand symphony of Parisian uproar, which occurs about one o'clock in the morning, the wife of Monsieur Cesar Birotteau, a perfumer established near the Place Vendome, was startled from her sleep by a frightful dream. She had seen her double. She had appeared to herself clothed in rags, turning with a shrivelled, withered hand the latch of her own shop-

door, seeming to be at the threshold, yet at the same time seated in her armchair behind the counter. She was asking alms of herself, and heard herself speaking from the doorway and also from her seat at the desk.

She tried to grasp her husband, but her hand fell on a cold place. Her terror became so intense that she could not move her neck, which stiffened as if petrified; the membranes of her throat became glued together, her voice failed her. She remained sitting erect in the same posture in the middle of the alcove, both panels of which were wide open, her eyes staring and fixed, her hair quivering, her ears filled with strange noises, her heart tightened yet palpitating, and her person bathed in perspiration though chilled to the bone.

Fear is a half-diseased sentiment, which presses so violently upon the human mechanism that the faculties are suddenly excited to the highest degree of their power or driven to utter disorganization.

Physiologists have long wondered at this phenomenon, which overturns their systems and upsets all theories; it is in fact a thunderbolt working within the being, and, like all electric accidents, capricious and whimsical in its course. This explanation will become a mere commonplace in the day when scientific men are brought to recognize the immense part which electricity plays in human thought.

Madame Birotteau now passed through several of the shocks, in some sort electrical, which are produced by terrible explosions of the will forced out, or held under, by some mysterious mechanism. Thus during a period of time, very short if judged by a watch, but immeasurable when calculated by the rapidity of her impressions, the poor woman had the supernatural power of emitting more ideas and bringing to the surface more recollections than, under any ordinary use of her faculties, she could put forth in the course of a whole day. The poignant tale of her monologue may be abridged into a few absurd sentences, as contradictory and bare of meaning as the monologue itself.

"There is no reason why Birotteau should leave my bed! He has eaten so much veal that he may be ill. But if he were ill he would have waked me. For nineteen years that we have slept together in this bed, in this house, it has never happened that he left his place without telling me,--poor sheep! He never slept away except to pass the night in the guard-room. Did he come to bed to-night? Why, of course;

goodness! how stupid I am."

She cast her eyes upon the bed and saw her husband's night-cap, which still retained the almost conical shape of his head.

"Can he be dead? Has he killed himself? Why?" she went on. "For the last two years, since they made him deputy-mayor, he is /all-I-don't-

know-how/. To put him into public life! On the word of an honest woman, isn't it pitiable? His business is doing well, for he gave me a shawl. But perhaps it isn't doing well? Bah! I should know of it. Does one ever know what a man has got in his head; or a woman either?--

there is no harm in that. Didn't we sell five thousand francs' worth to-day? Besides, a deputy mayor couldn't kill himself; he knows the laws too well. Where is he then?"

She could neither turn her neck, nor stretch out her hand to pull the bell, which would have put in motion a cook, three clerks, and a shop-

boy. A prey to the nightmare, which still lasted though her mind was wide awake, she forgot her daughter peacefully asleep in an adjoining room, the door of which opened at the foot of her bed. At last she cried "Birotteau!" but got no answer. She thought she had called the name aloud, though in fact she had only uttered it mentally.

"Has he a mistress? He is too stupid," she added. "Besides, he loves me too well for that. Didn't he tell Madame Roguin that he had never been unfaithful to me, even in thought? He is virtue upon earth, that man. If any one ever deserved paradise he does. What does he accuse himself of to his confessor, I wonder? He must tell him a lot of fiddle-faddle. Royalist as he is, though he doesn't know why, he can't froth up his religion. Poor dear cat! he creeps to Mass at eight o'clock as slyly as if he were going to a bad house. He fears God for God's sake; hell is nothing to him. How could he have a mistress? He is so tied to my petticoat that he bores me. He loves me better than his own eyes; he would put them out for my sake. For nineteen years he has never said to me one word louder than another. His daughter is never considered before me. But Cesarine is here--Cesarine! Cesarine!

--Birotteau has never had a thought which he did not tell me. He was right enough when he declared to me at the Petit-Matelot that I should never know him till I tried him. And /not here/! It is extraordinary!"

She turned her head with difficulty and glanced furtively about the room, then filled with those picturesque effects which are the despair of language and seem to belong exclusively to the painters of genre.