HISTORICAL criticism nowhere occurs as an isolated fact in the civilisation or literature of any people. It is part of that complex working towards freedom which may be described as the revolt against authority. It is merely one facet of that speculative spirit of an innovation, which in the sphere of action produces democracy and revolution, and in that of thought is the parent of philosophy and physical science; and its importance as a factor of progress is based not so much on the results it attains, as on the tone of thought which it represents, and the method by which it works.

Being thus the resultant of forces essentially revolutionary, it is not to be found in the ancient world among the material despotisms of Asia or the stationary civilisation of Egypt. The clay cylinders of Assyria and Babylon, the hieroglyphics of the pyramids, form not history but the material for history.

The Chinese annals, ascending as they do to the barbarous forest life of the nation, are marked with a soberness of judgment, a freedom from invention, which is almost unparalleled in the writings of any people; but the protective spirit which is the characteristic of that people proved as fatal to their literature as to their commerce. Free criticism is as unknown as free trade.

While as regards the Hindus, their acute, analytical and logical mind is directed rather to grammar, criticism and philosophy than to history or chronology. Indeed, in history their imagination seems to have run wild, legend and fact are so indissolubly mingled together that any attempt to separate them seems vain. If we except the identification of the Greek Sandracottus with the Indian Chandragupta, we have really no clue by which we can test the truth of their writings or examine their method of investigation.

It is among the Hellenic branch of the Indo-Germanic race that history proper is to be found, as well as the spirit of historical criticism; among that wonderful offshoot of the primitive Aryans, whom we call by the name of Greeks and to whom, as has been well said, we owe all that moves in the world except the blind forces of nature.

For, from the day when they left the chill table-lands of Tibet and journeyed, a nomad people, to AEgean shores, the characteristic of their nature has been the search for light, and the spirit of historical criticism is part of that wonderful Aufklarung or illumination of the intellect which seems to have burst on the Greek race like a great flood of light about the sixth century B.C.

L'ESPRIT D'UN SIECLE NE NAIT PAS ET NE MEURT PAS E JOUR FIXE, and the first critic is perhaps as difficult to discover as the first man. It is from democracy that the spirit of criticism borrows its intolerance of dogmatic authority, from physical science the alluring analogies of law and order, from philosophy the conception of an essential unity underlying the complex manifestations of phenomena. It appears first rather as a changed attitude of mind than as a principle of research, and its earliest influences are to be found in the sacred writings.

For men begin to doubt in questions of religion first, and then in matters of more secular interest; and as regards the nature of the spirit of historical criticism itself in its ultimate development, it is not confined merely to the empirical method of ascertaining whether an event happened or not, but is concerned also with the investigation into the causes of events, the general relations which phenomena of life hold to one another, and in its ultimate development passes into the wider question of the philosophy of history.

Now, while the workings of historical criticism in these two spheres of sacred and uninspired history are essentially manifestations of the same spirit, yet their methods are so different, the canons of evidence so entirely separate, and the motives in each case so unconnected, that it will be necessary for a clear estimation of the progress of Greek thought, that we should consider these two questions entirely apart from one another. Ishall then in both cases take the succession of writers in their chronological order as representing the rational order - not that the succession of time is always the succession of ideas, or that dialectics moves ever in the straight line in which Hegel conceives its advance. In Greek thought, as elsewhere, there are periods of stagnation and apparent retrogression, yet their intellectual development, not merely in the question of historical criticism, but in their art, their poetry and their philosophy, seems so essentially normal, so free from all disturbing external influences, so peculiarly rational, that in following in the footsteps of time we shall really be progressing in the order sanctioned by reason.

AT an early period in their intellectual development the Greeks reached that critical point in the history of every civilised nation, when speculative invades the domain of revealed truth, when the spiritual ideas of the people can no longer be satisfied by the lower, material conceptions of their inspired writers, and when men find it impossible to pour the new wine of free thought into the old bottles of a narrow and a trammelling creed.

From their Aryan ancestors they had received the fatal legacy of a mythology stained with immoral and monstrous stories which strove to hide the rational order of nature in a chaos of miracles, and to mar by imputed wickedness the perfection of God's nature - a very shirt of Nessos in which the Heracles of rationalism barely escaped annihilation. Now while undoubtedly the speculations of Thales, and the alluring analogies of law and order afforded by physical science, were most important forces in encouraging the rise of the spirit of scepticism, yet it was on its ethical side that the Greek mythology was chiefly open to attack.

It is difficult to shake the popular belief in miracles, but no man will admit sin and immorality as attributes of the Ideal he worships; so the first symptoms of a new order of thought are shown in the passionate outcries of Xenophanes and Heraclitos against the evil things said by Homer of the sons of God; and in the story told of Pythagoras, how that he saw tortured in Hell the 'two founders of Greek theology,' we can recognise the rise of the Aufklarung as clearly as we see the Reformation foreshadowed in the INFERNO of Dante.

Any honest belief, then, in the plain truth of these stories soon succumbed before the destructive effects of the A PRIORI ethical criticism of this school; but the orthodox party, as is its custom, found immediately a convenient shelter under the aegis of the doctrine of metaphors and concealed meanings.

To this allegorical school the tale of the fight around the walls of Troy was a mystery, behind which, as behind a veil, were hidden certain moral and physical truths. The contest between Athena and Ares was that eternal contest between rational thought and the brute force of ignorance; the arrows which rattled in the quiver of the 'Far Darter' were no longer the instruments of vengeance shot from the golden bow of the child of God, but the common rays of the sun, which was itself nothing but a mere inert mass of burning metal.

Modern investigation, with the ruthlessness of Philistine analysis, has ultimately brought Helen of Troy down to a symbol of the dawn.

There were Philistines among the Greeks also who saw in the [Greek text which cannot be reproduced] a mere metaphor for atmospheric power.

Now while this tendency to look for metaphors and hidden meanings must be ranked as one of the germs of historical criticism, yet it was essentially unscientific. Its inherent weakness is clearly pointed out by Plato, who showed that while this theory will no doubt explain many of the current legends, yet, if it is to be appealed to at all, it must be as a universal principle; a position he is by no means prepared to admit.

Like many other great principles it suffered from its disciples, and furnished its own refutation when the web of Penelope was analysed into a metaphor of the rules of formal logic, the warp representing the premises, and the woof the conclusion.

Rejecting, then, the allegorical interpretation of the sacred writings as an essentially dangerous method, proving either too much or too little, Plato himself returns to the earlier mode of attack, and re-writes history with a didactic purpose, laying down certain ethical canons of historical criticism. God is good; God is just; God is true; God is without the common passions of men.

These are the tests to which we are to bring the stories of the Greek religion.

'God predestines no men to ruin, nor sends destruction on innocent cities; He never walks the earth in strange disguise, nor has to mourn for the death of any well-beloved son. Away with the tears for Sarpedon, the lying dream sent to Agamemnon, and the story of the broken covenant!' (Plato, REPUBLIC, Book ii. 380; iii. 388, 391.)Similar ethical canons are applied to the accounts of the heroes of the days of old, and by the same A PRIORI principles Achilles is rescued from the charges of avarice and insolence in a passage which may be recited as the earliest instance of that 'whitewashing of great men,' as it has been called, which is so popular in our own day, when Catiline and Clodius are represented as honest and far-seeing politicians, when EINE EDLE UND GUTE NATUR is claimed for Tiberius, and Nero is rescued from his heritage of infamy as an accomplished DILETTANTE whose moral aberrations are more than excused by his exquisite artistic sense and charming tenor voice.

But besides the allegorising principle of interpretation, and the ethical reconstruction of history, there was a third theory, which may be called the semi-historical, and which goes by the name of Euhemeros, though he was by no means the first to propound it.

Appealing to a fictitious monument which he declared that he had discovered in the island of Panchaia, and which purported to be a column erected by Zeus, and detailing the incidents of his reign on earth, this shallow thinker attempted to show that the gods and heroes of ancient Greece were 'mere ordinary mortals, whose achievements had been a good deal exaggerated and misrepresented,' and that the proper canon of historical criticism as regards the treatment of myths was to rationalise the incredible, and to present the plausible residuum as actual truth.

To him and his school, the centaurs, for instance, those mythical sons of the storm, strange links between the lives of men and animals, were merely some youths from the village of Nephele in Thessaly, distinguished for their sporting tastes; the 'living harvest of panoplied knights,' which sprang so mystically from the dragon's teeth, a body of mercenary troops supported by the profits on a successful speculation in ivory; and Actaeon, an ordinary master of hounds, who, living before the days of subscription, was eaten out of house and home by the expenses of his kennel.

Now, that under the glamour of myth and legend some substratum of historical fact may lie, is a proposition rendered extremely probable by the modern investigations into the workings of the mythopoeic spirit in post-Christian times. Charlemagne and Roland, St. Francis and William Tell, are none the less real personages because their histories are filled with much that is fictitious and incredible, but in all cases what is essentially necessary is some external corroboration, such as is afforded by the mention of Roland and Roncesvalles in the chronicles of England, or (in the sphere of Greek legend) by the excavations of Hissarlik. But to rob a mythical narrative of its kernel of supernatural elements, and to present the dry husk thus obtained as historical fact, is, as has been well said, to mistake entirely the true method of investigation and to identify plausibility with truth.

And as regards the critical point urged by Palaiphatos, Strabo, and Polybius, that pure invention on Homer's part is inconceivable, we may without scruple allow it, for myths, like constitutions, grow gradually, and are not formed in a day. But between a poet's deliberate creation and historical accuracy there is a wide field of the mythopoeic faculty.

This Euhemeristic theory was welcomed as an essentially philosophical and critical method by the unscientific Romans, to whom it was introduced by the poet Ennius, that pioneer of cosmopolitan Hellenicism, and it continued to characterise the tone of ancient thought on the question of the treatment of mythology till the rise of Christianity, when it was turned by such writers as Augustine and Minucius Felix into a formidable weapon of attack on Paganism. It was then abandoned by all those who still bent the knee to Athena or to Zeus, and a general return, aided by the philosophic mystics of Alexandria, to the allegorising principle of interpretation took place, as the only means of saving the deities of Olympus from the Titan assaults of the new Galilean God. In what vain defence, the statue of Mary set in the heart of the Pantheon can best tell us.

Religions, however, may be absorbed, but they never are disproved, and the stories of the Greek mythology, spiritualised by the purifying influence of Christianity, reappear in many of the southern parts of Europe in our own day. The old fable that the Greek gods took service with the new religion under assumed names has more truth in it than the many care to discover.

Having now traced the progress of historical criticism in the special treatment of myth and legend, I shall proceed to investigate the form in which the same spirit manifested itself as regards what one may term secular history and secular historians.

The field traversed will be found to be in some respects the same, but the mental attitude, the spirit, the motive of investigation are all changed.

There were heroes before the son of Atreus and historians before Herodotus, yet the latter is rightly hailed as the father of history, for in him we discover not merely the empirical connection of cause and effect, but that constant reference to Laws, which is the characteristic of the historian proper.

For all history must be essentially universal; not in the sense of comprising all the synchronous events of the past time, but through the universality of the principles employed. And the great conceptions which unify the work of Herodotus are such as even modern thought has not yet rejected. The immediate government of the world by God, the nemesis and punishment which sin and pride invariably bring with them, the revealing of God's purpose to His people by signs and omens, by miracles and by prophecy; these are to Herodotus the laws which govern the phenomena of history. He is essentially the type of supernatural historian; his eyes are ever strained to discern the Spirit of God moving over the face of the waters of life; he is more concerned with final than with efficient causes.

Yet we can discern in him the rise of that HISTORIC SENSE which is the rational antecedent of the science of historical criticism, the [Greek text which cannot be reproduced], to use the words of a Greek writer, as opposed to that which comes either [Greek text which cannot be reproduced].

He has passed through the valley of faith and has caught a glimpse of the sunlit heights of Reason; but like all those who, while accepting the supernatural, yet attempt to apply the canons of rationalism, he is essentially inconsistent. For the better apprehension of the character of this historic sense in Herodotus it will be necessary to examine at some length the various forms of criticism in which it manifests itself.

Such fabulous stories as that of the Phoenix, of the goat-footed men, of the headless beings with eyes in their breasts, of the men who slept six months in the year ([Greek text which cannot be reproduced]), of the wer-wolf of the Neuri, and the like, are entirely rejected by him as being opposed to the ordinary experience of life, and to those natural laws whose universal influence the early Greek physical philosophers had already made known to the world of thought. Other legends, such as the suckling of Cyrus by a bitch, or the feather-rain of northern Europe, are rationalised and explained into a woman's name and a fall of snow.

The supernatural origin of the Scythian nation, from the union of Hercules and the monstrous Echidna, is set aside by him for the more probable account that they were a nomad tribe driven by the Massagetae from Asia; and he appeals to the local names of their country as proof of the fact that the Kimmerians were the original possessors.