Episode 19

In her morning room Mrs. Stephen Dallison sat at an old oak bureau collecting her scattered thoughts. They lay about on pieces of stamped notepaper, beginning "Dear Cecilia," or "Mrs. Tallents Smallpeace requests," or on bits of pasteboard headed by the names of theatres, galleries, or concert-halls; or, again, on paper of not quite so good a quality, commencing, "Dear Friend," and ending with a single well-known name like "Wessex," so that no suspicion should attach to the appeal contained between the two. She had before her also sheets of her own writing-paper, headed "76, The Old Square, Kensington," and two little books. One of these was bound in marbleised paper, and on it written: "Please keep this book in safety"; across the other, cased in the skin of some small animal deceased, was inscribed the solitary word "Engagements."Cecilia had on a Persian-green silk blouse with sleeves that would have hidden her slim hands, but for silver buttons made in the likeness of little roses at her wrists; on her brow was a faint frown, as though she were wondering what her thoughts were all about.

She sat there every morning catching those thoughts, and placing them in one or other of her little books. Only by thus working hard could she keep herself, her husband, and daughter, in due touch with all the different movements going on. And that the touch might be as due as possible, she had a little headache nearly every day. For the dread of letting slip one movement, or of being too much taken with another, was very real to her; there were so many people who were interesting, so many sympathies of hers and Stephen's which she desired to cultivate, that it was a matter of the utmost import not to cultivate any single one too much. Then, too, the duty of remaining feminine with all this going forward taxed her constitution. She sometimes thought enviously of the splendid isolation now enjoyed by Blanca, of which some subtle instinct, rather than definite knowledge, had informed her; but not often, for she was a loyal little person, to whom Stephen and his comforts were of the first moment. And though she worried somewhat because her thoughts WOULD come by every post, she did not worry very much--hardly more than the Persian kitten on her lap, who also sat for hours trying to catch her tail, with a line between her eyes, and two small hollows in her cheeks.

When she had at last decided what concerts she would be obliged to miss, paid her subscription to the League for the Suppression of Tinned Milk, and accepted an invitation to watch a man fall from a balloon, she paused. Then, dipping her pen in ink, she wrote as follows:

"Mrs. Stephen Dallison would be glad to have the blue dress ordered by her yesterday sent home at once without alteration.--Messrs. Rose and Thorn, High Street, Kensington."Ringing the bell, she thought: 'It will be a job for Mrs. Hughs, poor thing. I believe she'll do it quite as well as Rose and Thorn.'--"Would you please ask Mrs. Hughs to come to me?--Oh, is that you, Mrs. Hughs? Come in."The seamstress, who had advanced into the middle of the room, stood with her worn hands against her sides, and no sign of life but the liquid patience in her large brown eyes. She was an enigmatic figure. Her presence always roused a sort of irritation in Cecilia, as if she had been suddenly confronted with what might possibly have been herself if certain little accidents had omitted to occur. She was so conscious that she ought to sympathise, so anxious to show that there was no barrier between them, so eager to be all she ought to be, that her voice almost purred.

"Are you Getting on with the curtains, Mrs. Hughs?""Yes, m'm, thank you, m'm."

"I shall have another job for you to-morrow--altering a dress. Can you come?""Yes, m'm, thank you, m'm."

"Is the baby well?"

"Yes, m'm, thank you, m'm."

There was a silence.

'It's no good talking of her domestic matters,' thought Cecilia; 'not that I don't care!' But the silence getting on her nerves, she said quickly: "Is your husband behaving himself better?"There was no answer; Cecilia saw a tear trickle slowly down the woman's cheek.

'Oh dear, oh dear,' she thought; 'poor thing! I'm in for it!'

Mrs. Hughs' whispering voice began: "He's behaving himself dreadful, m'm. I was going to speak to you. It's ever since that young girl"--her face hardened--"come to live down in my room there; he seem to --he seem to--just do nothing but neglect me."Cecilia's heart gave the little pleasurable flutter which the heart must feel at the love dramas of other people, however painful.

"You mean the little model?" she said.

The seamstress answered in an agitated voice: "I don't want to speak against her, but she's put a spell on him, that's what she has; he don't seem able to do nothing but talk of her, and hang about her room. It was that troubling me when I saw you the other day. And ever since yesterday midday, when Mr. Hilary came--he's been talking that wild--and he pushed me--and--and---" Her lips ceased to form articulate words, but, since it was not etiquette to cry before her superiors, she used them to swallow down her tears, and something in her lean throat moved up and down.

At the mention of Hilary's name the pleasurable sensation in Cecilia had undergone a change. She felt curiosity, fear, offence.

"I don't quite understand you," she said.

The seamstress plaited at her frock. "Of course, I can't help the way he talks, m'm. I'm sure I don't like to repeat the wicked things he says about Mr. Hilary. It seems as if he were out of his mind when he gets talkin' about that young girl."The tone of those last three words was almost fierce.

Cecilia was on the point of saying: 'That will do, please; I want to hear no more.' But her curiosity and queer subtle fear forced her instead to repeat: "I don't understand. Do you mean he insinuates that Mr. Hilary has anything to do with--with this girl, or what?"And she thought: 'I'll stop that, at any rate.'