Episode 13

METHLEY recovered almost suddenly, and we determined to go through the Troad together.

My comrade was a capital Grecian. It is true that his singular mind so ordered and disposed his classic lore as to impress it with something of an original and barbarous character - with an almost Gothic quaintness, more properly belonging to a rich native ballad than to the poetry of Hellas. There was a certain impropriety in his knowing so much Greek - an unfitness in the idea of marble fauns, and satyrs, and even Olympian gods, lugged in under the oaken roof and the painted light of an odd, old Norman hall. But Methley, abounding in Homer, really loved him (as I believe)in all truth, without whim or fancy; moreover, he had a good deal of the practical sagacity "Of a Yorkshireman hippodamoio,"and this enabled him to apply his knowledge with much more tact than is usually shown by people so learned as he.

I, too, loved Homer, but not with a scholar's love. The most humble and pious among women was yet so proud a mother that she could teach her firstborn son no Watts' hymns, no collects for the day; she could teach him in earliest childhood no less than this, to find a home in his saddle, and to love old Homer, and all that old Homer sung. True it is, that the Greek was ingeniously rendered into English, the English of Pope even, but not even a mesh like that can screen an earnest child from the fire of Homer's battles.

I pored over the ODYSSEY as over a story-book, hoping and fearing for the hero whom yet I partly scorned. But the Iliad - line by line I clasped it to my brain with reverence as well as with love. As an old woman deeply trustful sits reading her Bible because of the world to come, so, as though it would fit me for the coming strife of this temporal world, I read and read the ILIAD. Even outwardly, it was not like other books; it was throned in towering folios. There was a preface or dissertation printed in type still more majestic than the rest of the book; this I read, but not till my enthusiasm for the ILIAD had already run high. The writer compiling the opinions of many men, and chiefly of the ancients, set forth, I know not how quaintly, that the ILIADwas all in all to the human race - that it was history, poetry, revelation; that the works of men's hands were folly and vanity, and would pass away like the dreams of a child, but that the kingdom of Homer would endure for ever and ever.

I assented with all my soul. I read, and still read; I came to know Homer. A learned commentator knows something of the Greeks, in the same sense as an oil-and-colour man may be said to know something of painting; but take an untamed child, and leave him alone for twelve months with any translation of Homer, and he will be nearer by twenty centuries to the spirit of old Greece; HE does not stop in the ninth year of the siege to admire this or that group of words; HE has no books in his tent, but he shares in vital counsels with the "king of men," and knows the inmost souls of the impending gods; how profanely he exults over the powers divine when they are taught to dread the prowess of mortals! and most of all, how he rejoices when the God of War flies howling from the spear of Diomed, and mounts into heaven for safety! Then the beautiful episode of the Sixth Book: the way to feel this is not to go casting about, and learning from pastors and masters how best to admire it. The impatient child is not grubbing for beauties, but pushing the siege; the women vex him with their delays, and their talking; the mention of the nurse is personal, and little sympathy has he for the child that is young enough to be frightened at the nodding plume of a helmet; but all the while that he thus chafes at the pausing of the action, the strong vertical light of Homer's poetry is blazing so full upon the people and things of the ILIAD, that soon to the eyes of the child they grow familiar as his mother's shawl;yet of this great gain he is unconscious, and on he goes, vengefully thirsting for the best blood of Troy, and never remitting his fierceness till almost suddenly it is changed for sorrow - the new and generous sorrow that he learns to feel when the noblest of all his foes lies sadly dying at the Scaean gate.

Heroic days are these, but the dark ages of schoolboy life come closing over them. I suppose it is all right in the end, yet, by Jove, at first sight it does seem a sad intellectual fall from your mother's dressing-room to a buzzing school. You feel so keenly the delights of early knowledge; you form strange mystic friendships with the mere names of mountains, and seas, and continents, and mighty rivers; you learn the ways of the planets, and transcend their narrow limits, and ask for the end of space; you vex the electric cylinder till it yields you, for your toy to play with, that subtle fire in which our earth was forged;you know of the nations that have towered high in the world, and the lives of the men who have saved whole empires from oblivion. What more will you ever learn? Yet the dismal change is ordained, and then, thin meagre Latin (the same for everybody), with small shreds and patches of Greek, is thrown like a pauper's pall over all your early lore. Instead of sweet knowledge, vile, monkish, doggerel grammars and graduses, dictionaries and lexicons, and horrible odds and ends of dead languages, are given you for your portion, and down you fall, from Roman story to a three-inch scrap of "Scriptores Romani," - from Greek poetry down, down to the cold rations of "Poetae Graeci," cut up by commentators, and served out by schoolmasters!

It was not the recollection of school nor college learning, but the rapturous and earnest reading of my childhood, which made me bend forward so longingly to the plains of Troy.