Episode 7

"We'll measure them a measure, and begone."

{William Shakespeare, "Romeo and Juliet", I.iv.10}

The arrival of guests again called the ladies away; they were followed by others, until the drawing-room was half-filled with the young people of the neighbourhood, and their parents. Mrs. Stanley was soon talking with Patsey Hubbard, whom she liked particularly. The tall and thin Mrs. Bernard, and her friend, the short and fat Mrs. Van Horne, were regretting with Mrs. George Wyllys, that she should think the air of Longbridge did not agree with her children; and lamenting that she should not remain at Wyllys-Roof until November, according to her first intention.

Charlie was deep in a volume of fine engravings. Young Taylor was standing; in a corner, looking handsome, but awkward, and out of place. Mr. Taylor, the father, was aiming at making himself 'affable' to everybody he knew; he liked to be called the 'affable' Mr. Taylor. The last of the party to arrive, were Mr. and Mrs. Clapp; a couple, who were by no means equally liked by their hosts. The husband was a Longbridge lawyer, whose views and manners were not much admired at Wyllys-Roof; and he would probably never have found his way there, had he not married one of their old friends and favourites, Kate Hubbard, a younger sister of Miss Patsey's--one who from childhood had always been welcome among them. William Cassius Clapp had curly hair, bright black eyes, and pink cheeks--and, consequently, was generally thought an Adonis: his wife was a diminutive little creature, quite pretty, and very amiable; a sort of mixture of Miss Patsey and Charlie, without the more striking qualities of either. Some of her friends had thought her thrown away upon Clapp; but she seemed perfectly satisfied after five years' experience, and evidently believed her husband superior in every way to the common run of men. Holding it to be gross injustice towards the individuals whom we bring before the reader, to excite a prejudice against them in the very first chapter, we shall leave all the party to speak and act for themselves; merely endeavouring to fill the part of a 'faithful chronicler,' ourselves.

Mr. Taylor had been looking, with a mixed expression of surprise and curiosity, at the person he had heard addressed as Miss Patsey Hubbard, when the lady remarked his manner, and, smiling quietly, she bowed to him. The bow was returned; and Mr. Taylor crossed the room, to renew an acquaintance with the woman, who, three-and-twenty years before, had refused to become his wife.

Mr. Pompey Taylor had, however, risen too much in the world, since then--according to his own estimation, at least--he had become too rich and too prosperous, not to look back with great equanimity, on what he now considered as a very trifling occurrence. While he was addressing Miss Patsey in his most polished manner, just marked with an extra-touch of 'affability,' for her especial benefit, he could not but wonder that her countenance should still wear the same placid, contented air as of old; it seemed, indeed, as if this expression had only been confirmed by time and trials. He began to think the accounts he had occasionally heard, of his old flame, must have been incorrect; it was scarcely possible she should look so calm, and even cheerful, if her father, the Presbyterian minister, had actually left her not only penniless, but burdened with the support of a bed-ridden step-mother, and a house full of younger brothers and sisters. We leave him to satisfy his curiosity as well as he could.

When was there ever an evening too warm for young people to dance! Elinor's friends had not been in the room half an hour, before they discovered that they were just the right number to make a quadrille agreeable. They were enough to form a double set; and, while they were dancing, the elder part of the company were sitting in groups near the windows, to catch the evening air, and talking over neighbourly matters, or looking on at their young friends.

"Don't you think Elinor very graceful?" exclaimed Mrs. Van Horne to her friend, Mrs. Bernard. "I like to watch her, while she is dancing; her movements are all so pleasing and easy, never, in the least, exaggerated--but, it is in her very nature; she has always been the same, from a little creature."

"Yes," replied Mrs. Bernard; "but it is a pity her face should be so ugly; for she has rather a pretty figure--"

"Do you think her really ugly? She does not strike me, as so very plain--there is nothing repulsive in her face. I have known girls called pretty, who had something far nearer coarseness in their features. It is true, I have been accustomed to see her from the time she was four years old; and, I know, she is always thought very plain by strangers."

"Why, my dear Mrs. Van Horne, she has not one feature that can be called good; and her eye-brows are so heavy, and her complexion is so thick and dark, too!"

"Yes, it is true, she is very dark; and that is a pity; if she were only fairer, her features would appear to greater advantage."

"Just look at her now," said Mrs. Bernard, "as she is standing by her cousin, Jane Graham, who is dancing with your son. Was there ever a greater contrast?"

"But Jane is so remarkably pretty--"

"Certainly, she is a perfect little beauty; and that is one reason, perhaps, why Elinor strikes us as so plain; she is so much with her cousin--"

"Well," said Mrs. Van Horne, "if you are going to quarrel so much, with my little friend's face, we had better find something else to talk about; for she is a very great favourite of mine."

"And justly--I dare say.--But, I am a great admirer of beauty, you know; and I cannot keep my eyes off Jane's lovely face."

The conversation then turned upon the Hubbards.

"Charlie, it seems, is actually going to be a painter," observed Mrs. Bernard. "Miss Patsey tells me, he is so bent on it, that she thinks there is no use in opposing it any longer; though, Mr. Clapp says, it is a wretched plan."