Episode 4

Before him passes a procession of priests bearing sacred images. In the right hand corner of the tomb is the shaft of the mummy-pit, a square-mouthed well cut in the black rock. We had brought a beam of thorn-wood, and this was now laid across the pit and a rope made fast to it. Then Ali--who, to do him justice, is a courageous thief--took hold of the rope, and, putting some candles into the breast of his robe, placed his bare feet against the smooth sides of the well and began to descent with great rapidity. Very soon he had vanished into blackness, and the agitation of the cord alone told us that anything was going on below. At last the rope ceased shaking and a faint shout came rumbling up the well, announcing Ali's safe arrival. Then, far below, a tiny star of light appeared. He had lit the candle, thereby disturbing hundreds of bats that flitted up in an endless stream and as silently as spirits. The rope was hauled up again, and now it was my turn; but, as I declined to trust my neck to the hand-over-hand method of descent, the end of the cord was made fast round my middle and I was lowered bodily into those sacred depths. Nor was it a pleasant journey, for, if the masters of the situation above had made any mistake, I should have been dashed to pieces. Also, the bats continually flew into my face and clung to my hair, and I have a great dislike of bats. At last, after some minutes of jerking and dangling, I found myself standing in a narrow passage by the side of the worthy Ali, covered with bats and perspiration, and with the skin rubbed off my knees and knuckles. Then another man came down, hand over hand like a sailor, and as the rest were told to stop above we were ready to go on. Ali went first with his candle--of course we each had a candle--leading the way down a long passage about five feet high. At length the passage widened out, and we were in the tomb-chamber: I think the hottest and most silent place that I ever entered. It was simply stifling. This chamber is a square room cut in the rock and totally devoid of paintings or sculpture. I held up the candles and looked round. About the place were strewn the coffin lids and the mummied remains of the two bodies that the Arabs had previously violated. The paintings on the former were, I noticed, of great beauty, though, having no knowledge of hieroglyphics, I could not decipher them. Beads and spicy wrappings lay around the remains, which, I saw, were those of a man and a woman.[+] The head had been broken off the body of the man. I took it up and looked at it. It had been closely shaved--after death, I should say, from the general indications--and the features were disfigured with gold leaf. But notwithstanding this, and the shrinkage of the flesh, I think the face was one of the most imposing and beautiful that I ever saw. It was that of a very old man, and his dead countenance still wore so calm and solemn, indeed, so awful a look, that I grew quite superstitious (though as you know, I am pretty well accustomed to dead people), and put the head down in a hurry.

There were still some wrappings left upon the face of the second body, and I did not remove them; but she must have been a fine large woman in her day.

[*] This, I take it, is a portrait of Amenemhat himself.--Editor.

[+] Doubtless Amenemhat and his wife.--Editor.

"'There the other mummy,' said Ali, pointing to a large and solid case that seemed to have been carelessly thrown down in a corner, for it was lying on its side.

"I went up to it and carefully examined it. It was well made, but of perfectly plain cedar-wood--not an inscription, not a solitary God on it.

"'Never see one like him before,' said Ali. 'Bury great hurry, he no "mafish," no "fineesh." Throw him down here on side.'

"I looked at the plain case till at last my interest was thoroughly aroused. I was so shocked by the sight of the scattered dust of the departed that I had made up my mind not to touch the remaining coffin --but now my curiosity overcame me, and we set to work.

"Ali had brought a mallet and a cold chisel with him, and, having set the coffin straight, he began upon it with all the zeal of an experienced tomb-breaker. And then he pointed out another thing. Most mummy-cases are fastened by four little tongues of wood, two on either side, which are fixed in the upper half, and, passing into mortices cut to receive them in the thickness of the lower half, are there held fast by pegs of hard wood. But this mummy case had eight such tongues.

Evidently it had been thought well to secure it firmly. At last, with great difficulty, we raised the massive lid, which was nearly three inches thick, and there, covered over with a deep layer of loose spices (a very unusual thing), was the body.

"Ali looked at it with open eyes--and no wonder. For this mummy was not as other mummies are. Mummies in general lie upon their backs, as stiff and calm as though they were cut from wood; but this mummy lay upon its side, and, the wrappings notwithstanding, its knees were slightly bent. More than that, indeed, the gold mask, which, after the fashion of the Ptolemaic period, had been set upon the face, had worked down, and was literally pounded up beneath the hooded head.

"It was impossible, seeing these things, to avoid the conclusion that the mummy before us had moved with violence /since it was put in the coffin/.

"'Him very funny mummy. Him not "mafish" when him go in there,' said Ali.

"'Nonsense!' I said. 'Who ever heard of a live mummy?'

"We lifted the body out of the coffin, nearly choking ourselves with mummy dust in the process, and there beneath it half hidden among the spices, we made our first find. It was a roll of papyrus, carelessly fastened and wrapped in a piece of mummy cloth, having to all appearance been thrown into the coffin at the moment of closing.[*]

[*] This roll contained the third unfinished book of the history. The other two rolls were neatly fastened in the usual fashion. All three are written by one hand in the Demotic character.--Editor.