Episode 20

For a while I contemplated the roof and sides of the hut by the light which entered it through the smoke-vent and the door-hole, wondering whose it might be and how I came there.

Then I tried to sit up, and instantly was seized with agony in the region of the ribs, which I found were bound about with broad strips of soft tanned hide. Clearly they, or some of them, were broken.

What had broken them? I asked myself, and in a flash everything came back to me. So I had escaped with my life, as the old dwarf, "Opener-of-Roads," had told me that I should. Certainly he was an excellent prophet; and if he spoke truth in this matter, why not in others? What was I to make of it all? How could a black savage, however ancient, foresee the future?

By induction from the past, I supposed; and yet what amount of induction would suffice to show him the details of a forthcoming accident that was to happen to me through the agency of a wild beast with a peculiarly shaped horn? I gave it up, as before and since that day I have found it necessary to do in the case of many other events in life. Indeed, the question is one that I often have had cause to ask where Kafir "witch-doctors" or prophets are concerned, notably in the instance of a certain Mavovo, of whom I hope to tell one day, whose predictions saved my life and those of my companions.

Just then I heard the sound of someone creeping through the bee-hole of the hut, and half-closed my eyes, as I did not feel inclined for conversation. The person came and stood over me, and somehow--by instinct, I suppose--I became aware that my visitor was a woman. Very slowly I lifted my eyelids, just enough to enable me to see her.

There, standing in a beam of golden light that, passing through the smoke-hole, pierced the soft gloom of the hut, stood the most beautiful creature that I had ever seen--that is, if it be admitted that a person who is black, or rather copper-coloured, can be beautiful.

She was a little above the medium height, not more, with a figure that, so far as I am a judge of such matters, was absolutely perfect--that of a Greek statue indeed. On this point I had an opportunity of forming an opinion, since, except for her little bead apron and a single string of large blue beads about her throat, her costume was--well, that of a Greek statue. Her features showed no trace of the negro type; on the contrary, they were singularly well cut, the nose being straight and fine and the pouting mouth that just showed the ivory teeth between, very small. Then the eyes, large, dark and liquid, like those of a buck, set beneath a smooth, broad forehead on which the curling, but not woolly, hair grew low. This hair, by the way, was not dressed up in any of the eccentric native fashions, but simply parted in the middle and tied in a big knot over the nape of the neck, the little ears peeping out through its tresses. The hands, like the feet, were very small and delicate, and the curves of the bust soft and full without being coarse, or even showing the promise of coarseness.

A lovely woman, truly; and yet there was something not quite pleasing about that beautiful face; something, notwithstanding its childlike outline, which reminded me of a flower breaking into bloom, that one does not associate with youth and innocence. I tried to analyse what this might be, and came to the conclusion that without being hard, it was too clever and, in a sense, too reflective. I felt even then that the brain within the shapely head was keen and bright as polished steel; that this woman was one made to rule, not to be man's toy, or even his loving companion, but to use him for her ends.

She dropped her chin till it hid the little, dimple-like depression below her throat, which was one of her charms, and began not to look at, but to study me, seeing which I shut my eyes tight and waited.

Evidently she thought that I was still in my swoon, for now she spoke to herself in a low voice that was soft and sweet as honey.

"A small man," she said; "Saduko would make two of him, and the other"--who was he, I wondered--"three. His hair, too, is ugly; he cuts it short and it sticks up like that on a cat's back. Iya!" (i.e.

Piff!), and she moved her hand contemptuously, "a feather of a man. But white--white, one of those who rule. Why, they all of them know that he is their master. They call him 'He-who-never-Sleeps.' They say that he has the courage of a lioness with young--he who got away when Dingaan killed Piti [Retief] and the Boers; they say that he is quick and cunning as a snake, and that Panda and his great indunas think more of him than of any white man they know. He is unmarried also, though they say, too, that twice he had a wife, who died, and now he does not turn to look at women, which is strange in any man, and shows that he will escape trouble and succeed. Still, it must be remembered that they are all ugly down here in Zululand, cows, or heifers who will be cows.

Piff! no more."

She paused for a little while, then went on in her dreamy, reflective voice:

"Now, if he met a woman who is not merely a cow or a heifer, a woman cleverer than himself, even if she were not white, I wonder--"

At this point I thought it well to wake up. Turning my head I yawned, opened my eyes and looked at her vaguely, seeing which her expression changed in a flash from that of brooding power to one of moved and anxious girlhood; in short, it became most sweetly feminine.

"You are Mameena?" I said; "is it not so?"

"Oh, yes, Inkoosi," she answered, "that is my poor name. But how did you hear it, and how do you know me?"

"I heard it from one Saduko"--here she frowned a little--"and others, and I knew you because you are so beautiful"--an incautious speech at which she broke into a dazzling smile and tossed her deer-like head.