Episode 5

Indeed, on the principle that prevention is better than cure, Mrs.

Munday had made it a custom during April and May to administer to Joan a cooling mixture; but on this occasion had unfortunately come away without it. Joan, dressed for use rather than show, and without either shoes or stockings, had stolen stealthily downstairs: something seemed to be calling to her. Silently--"like a thief in the night," to adopt Mrs. Munday's metaphor--had slipped the heavy bolts; had joined the thousand creatures of the wood--had danced and leapt and shouted; had behaved, in short, more as if she had been a Pagan nymph than a happy English child. She had regained the house unnoticed, as she thought, the Devil, no doubt, assisting her; and had hidden her wet clothes in the bottom of a mighty chest. Deceitfulness in her heart, she had greeted Mrs. Munday in sleepy tones from beneath the sheets; and before breakfast, assailed by suspicious questions, had told a deliberate lie. Later in the morning, during an argument with an active young pig who was willing enough to play at Red Riding Hood so far as eating things out of a basket was concerned, but who would not wear a night-cap, she had used a wicked word. In the afternoon she "might have killed" the farmer's only son and heir. They had had a row. In one of those sad lapses from the higher Christian standards into which Satan was always egging her, she had pushed him; and he had tumbled head over heels into the horse-pond. The reason, that instead of lying there and drowning he had got up and walked back to the house howling fit to wake the Seven Sleepers, was that God, watching over little children, had arranged for the incident taking place on that side of the pond where it was shallow. Had the scrimmage occurred on the opposite bank, beneath which the water was much deeper, Joan in all probability would have had murder on her soul. It seemed to Joan that if God, all-powerful and all-foreseeing, had been so careful in selecting the site, He might with equal ease have prevented the row from ever taking place. Why couldn't the little beast have been guided back from school through the orchard, much the shorter way, instead of being brought round by the yard, so as to come upon her at a moment when she was feeling a bit short-tempered, to put it mildly? And why had God allowed him to call her "Carrots"? That Joan should have "put it" this way, instead of going down on her knees and thanking the Lord for having saved her from a crime, was proof of her inborn evil disposition. In the evening was reached the culminating point. Just before going to bed she had murdered old George the cowman. For all practical purposes she might just as well have been successful in drowning William Augustus earlier in the day. It seemed to be one of those things that had to be. Mr.

Hornflower still lived, it was true, but that was not Joan's fault.

Joan, standing in white night-gown beside her bed, everything around her breathing of innocence and virtue: the spotless bedclothes, the chintz curtains, the white hyacinths upon the window-ledge, Joan's Bible, a present from Aunt Susan; her prayer-book, handsomely bound in calf, a present from Grandpapa, upon their little table; Mrs. Munday in evening black and cameo brooch (pale red with tomb and weeping willow in white relief) sacred to the memory of the departed Mr. Munday--Joan standing there erect, with pale, passionate face, defying all these aids to righteousness, had deliberately wished Mr. Hornflower dead. Old George Hornflower it was who, unseen by her, had passed her that morning in the wood. Grumpy old George it was who had overheard the wicked word with which she had cursed the pig; who had met William Augustus on his emergence from the pond. To Mr. George Hornflower, the humble instrument in the hands of Providence, helping her towards possible salvation, she ought to have been grateful. And instead of that she had flung into the agonized face of Mrs. Munday these awful words:

"I wish he was dead!"

"He who in his heart--" there was verse and chapter for it. Joan was a murderess. Just as well, so far as Joan was concerned, might she have taken a carving-knife and stabbed Deacon Hornflower to the heart.

Joan's prayers that night, to the accompaniment of Mrs. Munday's sobs, had a hopeless air of unreality about them. Mrs. Munday's kiss was cold.

How long Joan lay and tossed upon her little bed she could not tell. Somewhere about the middle of the night, or so it seemed to her, the frenzy seized her. Flinging the bedclothes away she rose to her feet. It is difficult to stand upon a spring mattress, but Joan kept her balance. Of course He was there in the room with her. God was everywhere, spying upon her. She could distinctly hear His measured breathing. Face to face with Him, she told Him what she thought of Him. She told Him He was a cruel, wicked God.

There are no Victoria Crosses for sinners, or surely little Joan that night would have earned it. It was not lack of imagination that helped her courage. God and she alone, in the darkness. He with all the forces of the Universe behind Him. He armed with His eternal pains and penalties, and eight-year-old Joan: the creature that He had made in His Own Image that He could torture and destroy. Hell yawned beneath her, but it had to be said. Somebody ought to tell Him.

"You are a wicked God," Joan told Him. "Yes, You are. A cruel, wicked God."And then that she might not see the walls of the room open before her, hear the wild laughter of the thousand devils that were coming to bear her off, she threw herself down, her face hidden in the pillow, and clenched her hands and waited.

And suddenly there burst a song. It was like nothing Joan had ever heard before. So clear and loud and near that all the night seemed filled with harmony. It sank into a tender yearning cry throbbing with passionate desire, and then it rose again in thrilling ecstasy: a song of hope, of victory.