Episode 5

"Oh [haughtily], _that_ is as she pleases."Ashmead went to Ina Klosking in a rage and told her all this, and said he would take her to another hotel kept by a Frenchman: these Germans were bears. But Ina Klosking just shrugged her shoulders, and said, "Take me to her."He did so; and she said, in German, "Madam, I can quite understand your reluctance to have your piano strummed. But as your hotel is quiet and respectable, and I am unwilling to leave it, will you permit me to play to you? and then you shall decide whether I am worthy to stay or not."The spinster drank those mellow accents, colored a little, looked keenly at the speaker, and, after a moment's reflection, said, half sullenly, "No, madam, you are polite. I must risk my poor piano. Be pleased to come with me."She then conducted them to a large, unoccupied room on the first-floor, and unlocked the piano, a very fine one, and in perfect tune.

Ina sat down, and performed a composition then in vogue.

"You play correctly, madam," said the spinster; "but your music--what stuff! Such things are null. They vex the ear a little, but they never reach the mind."Ashmead was wroth, and could hardly contain himself; but the Klosking was amused, and rather pleased. "Mademoiselle has positive tastes in music,"said she; "all the better."

"Yes," said the spinster, "most music is mere noise. I hate and despise forty-nine compositions out of fifty; but the fiftieth I adore. Give me something simple, with a little soul in it--if you can."Ina Klosking looked at her, and observed her age and her dress, the latter old-fashioned. She said, quietly, "Will mademoiselle do me the honor to stand before me? I will sing her a trifle my mother taught me."The spinster complied, and stood erect and stiff, with her arms folded.

Ina fixed her deep eyes on her, playing a liquid prelude all the time, then swelled her chest and sung the old Venetian cauzonet, "Il pescatore de'll' onda." It is a small thing, but there is no limit to the genius of song. The Klosking sung this trifle with a voice so grand, sonorous, and sweet, and, above all, with such feeling, taste, and purity, that somehow she transported her hearers to Venetian waters, moonlit, and thrilled them to the heart, while the great glass chandelier kept ringing very audibly, so true, massive, and vibrating were her tones in that large, empty room.

At the first verse that cross-grained spinster, with real likes and dislikes, put a bony hand quietly before her eyes. At the last, she made three strides, as a soldier marches, and fell all of a piece, like a wooden _mannequin,_ on the singer's neck. "Take my piano," she sobbed, "for you have taken the heart out of my body."Ina returned her embrace, and did not conceal her pleasure. "I am very proud of such a conquest," said she.

From that hour Ina was the landlady's pet. The room and piano were made over to her, and, being in a great fright at what she had undertaken, she studied and practiced her part night and day. She made Ashmead call a rehearsal next day, and she came home from it wretched and almost hysterical.

She summoned her slave Ashmead; he stood before her with an air of hypocritical submission.

"The Flute was not at rehearsal, sir," said she, severely, "nor the Oboe, nor the Violoncello.""Just like 'em," said Ashmead, tranquilly.

"The tenor is a quavering stick. He is one of those who think that an unmanly trembling of the voice represents every manly passion.""Their name is legion."

"The soprano is insipid. And they are all imperfect--contentedly imperfect, How can people sing incorrectly? It is like lying.""That is what makes it so common--he! he!""I do not desire wit, but consolation. I believe you are Mephistopheles himself in disguise; for ever since I signed that diabolical compact you made me, I have been in a state of terror, agitation, misgiving, and misery--and I thank and bless you for it; for these thorns and nettles they lacerate me, and make me live. They break the dull, lethargic agony of utter desolation."Then, as her nerves were female nerves, and her fortitude female fortitude, she gave way, for once, and began to cry patiently.

Ashmead the practical went softly away and left her, as we must leave her for a time, to battle her business with one hand and her sorrow with the other.